Film and marketing
for any industry.
End-to-end film production and marketing — on location or remote. From the shoot to distribution, with pieces that hold up in a cinema, a TV and a phone.
Let's build your project →Everything
the studio does.
Three families: what gets filmed, what makes it grow, and what multiplies it. One piece or the whole system — on location or remote.
Four rules that apply to everything.
We don't have twenty cases to show you yet — we have a way of working we don't negotiate. We'd rather tell you before you hire us.
Slow before fast
We don't take a project that can't be done with field time. Speed ruins frames.
One project per quarter
We don't run several at once. Either you come in fully or you don't. Whoever pays for the trip pays for full attention.
We travel with the equipment
We don't subcontract. When you hire Route of Condor, the camera comes, the drone, the 4×4, the notebook and the two who write.
Print before post
Every delivery has to be able to live on a wall. If it can't hold up in print, it isn't finished yet.
Behind every project are Bauti Ramos and Felipe Lasso. No account team in the middle: you talk to the people who film, edit and write.
ROUTE OF CONDOR · STUDIOBrands that travel with us.
The ones we already carry in our packs — and the ones who get that a project is told by where it arrives.
Pick one. Tap Branding to see the brands.
Who we already
hit the road with.
Real, verifiable work only. New cases land when we come back from a shoot — we would rather show two true cases than ten invented ones.
UZCUDUN · Toyota
Automotive content for an official Toyota-network dealer. The Hilux where it actually works — coast, backcountry and highway — in pieces for the showroom, social and campaigns.
Julian Rocks Snorkel
A snorkel operator who needed to show what it feels like underwater, not what it looks like from the boat. Underwater POV, turtles, rays — the full piece, right here.
«We thought we ran a snorkel tour. They showed us we ran a love story.»
What people said when we left.
Lodges, hotels, operators — the people we stayed a few days with.
“We thought we ran a snorkel tour. They showed us we ran a love story.”
“This space is reserved for a real letter. When we come back from the next route, it writes itself.”
“We don't invent testimonials. We'd rather show an empty slot than a story that never happened.”
What each shoot
leaves behind.
Every job leaves a folder of frames. No catalogue, no stock: what we actually filmed, on the route.
What each package includes.
Each package is a starting point — they mix and bend to each project.
System
Cormorant · Manrope
Film
Film + reels.
Social Media
Grid, vertical cuts.
Website
Design + mockups.
Photography
Series + frames.
Launch
Campaign + destination.
Three ways to put the studio in your place.
Published pricing, locked dates, no committee. Everything bends to the place — this is the starting point, not a cage.
The Visit
"2–3 days at your place. We come back with everything."
- 2–3 shoot days at your place
- One 60–90s film
- 15 stills + 6 verticals
- Locked price, locked dates
The Season
"This is a system, not a one-off."
- 1 shoot per quarter
- Monthly verticals + calendar
- AI-assisted versioning (subtitles, cuts, variants)
- The studio films. AI multiplies.
The Expedition
"The whole season, documented on the road."
- The long film + the whole archive
- Film + photo + aerial
- The whole crew travels
- For brands with ambition
What people almost always ask.
01Do you work remotely or only on location?
Both. We travel to your location when the project asks for it — that's where we work best — but we also produce remotely: direction, editing, content systems and branding can happen from wherever we are. You pick the mode in the brief.
02My industry (or my place) isn't "scenic". Does it still work?
Yes. The craft is the same: find why a place or a product matters and film it that way. We learned it on the road, but it applies to a car dealership, a lodge, a small brand or an industry no one thinks to film. You don't need a mountain.
03You have few published cases. Why trust you?
Because we'd rather have two true cases than ten invented ones — you won't find a metric we can't defend on a call. The proof is in the craft: the road films you see on the site, we made them, with the same team that comes to your project. You're among the first, and it shows in the attention.
04How long does it take?
Depends on scope, but we're not an express service: we work with field time because speed ruins frames. We take one project per quarter to give it full attention. In the first call we give you a real date, not an optimistic one.
05What language do you deliver in?
Spanish and English. Subtitles, cuts and social pieces in both, no extra translation cost — it's part of the system.
06How do you charge, and in what currency?
In USD, with "from" prices published in the plans above. We accept local transfer / Mercado Pago and international wire / card. Staged schedule (deposit, progress, delivery). No surprises: the budget is closed before we start.
07How does a project start?
With the brief below — four steps, two minutes. Tell us where you are, what's happening there and when you need it; we reply, most of the time, within the week. Or write us directly at routeofcondor@gmail.com.
A question that isn't here? Write us — we'll answer it and add it.
A brief in four steps.
Four short screens. At the end the message is assembled and sent over WhatsApp or email — no endless forms.